.bt-eremia-component-page.is-gallery-detail .bt-eremia-component-slider > div, .bt-eremia-component-page.is-gallery-detail .bt-eremia-component-slider > img { animation: none !important; opacity: 1 !important; transform: none !important; clip-path: none !important; } .bt-eremia-component-page.is-gallery-detail .bt-eremia-component-slider-controls { display: none !important; } .bt-eremia-component-resume p.is-clamped { display: block; -webkit-line-clamp: unset; max-height: none; overflow: visible; } .bt-eremia-component-resume-toggle, .bt-eremia-vangogh-rail, .bt-eremia-vangogh-cursor-dot { display: none !important; } .bt-eremia-vangogh-home .bt-eremia-component-source-grid.is-work-grid { grid-auto-rows: auto; row-gap: 2rem; } .bt-eremia-vangogh-home .bt-eremia-component-source-card { color: var(--bt-eremia-bg-contrast, #111); } .bt-eremia-vangogh-home .bt-eremia-component-source-card h3, .bt-eremia-vangogh-home .bt-eremia-component-source-card > strong { color: inherit; } .bt-eremia-vangogh-home .bt-eremia-component-hero { background: var(--bt-eremia-bg, #111) !important; color: var(--bt-eremia-bg-contrast, #fff) !important; } .bt-eremia-vangogh-home .bt-eremia-component-hero h1, .bt-eremia-vangogh-home .bt-eremia-component-hero .bt-eremia-kicker { animation: none !important; opacity: 1 !important; transform: none !important; clip-path: none !important; color: inherit !important; } Home Biografia Opere Gallerie Blog Cronistoria Approfondimenti Contatti

Salvo Ferranteartista

E LA NAVE VA...

E LA NAVE VA...

tecnica mista, SU TELA, 2012

€ 250,00

Metafora dell’Italia che affonda come la nave Concordia sugli scogli dell’Elba

Informazioni generali

Categoria:: Pittura
Eseguita il:: 2012

#nave schettino italia elba affonda

tecnica mista

Dettagli dell'opera

Informazioni tecniche

Misure:: 50 cm x 70 cm
Tecnica:: tecnica mista
Stile:: Post pop
Supporto:: SU TELA

Informazioni sulla vendita

Collezione:: Milano
Prezzo:: € 250,00
Disponibile:: no

Informazioni Gigarte.com

Codice GA:: GA71074
Archiviata il:: 09/12/2012

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